Saca al Diablo

Nuevo Single 2026

¡Me quedo en la oscuridad!

Composed by Gaby Pereira

New single of Saca al Diablo

Me quedo en la oscuridad

Composed by: Gaby Pereira
Esperaré

Composed by: Gaby Pereira
Mientras duermes

Composed by: Gaby Pereira
Velo por ti

Composed by: Gaby Pereira / Oscar Amaro

Nuevo Single 2025

Sin tiempo

Composed by Gaby Pereira

New single of Saca al Diablo

Sin tiempo (Versión Pop)
📜 Letra

Sin tiempo

Sombras danzan en la niebla,
susurros de un reloj callado.
El eco de mi alma en pena
se ahoga en un cristal quebrado.

El tiempo muere en mi reflejo,
en mis venas hielo gris.
Las horas caen como cenizas,
prisionero de un sin fin.

Sin tiempo, sin fe,
en la noche me perderé.
Un espectro en el ayer,
mi condena es renacer.

Lágrimas de luna enferma
se deslizan por mi piel.
Caminando entre tinieblas,
sin un nombre, sin un edén.

El tiempo muere en mi reflejo,
en mis venas hielo gris.
Las horas caen como cenizas,
prisionero de un sin fin.

Soy el eco en la tormenta,
un susurro... un espectro aquí.

Composed by: Gaby Pereira Year: 2025
Sin tiempo (Versión Baile)

Composed by: Gaby Pereira

Nuevas Mezclas 2025

Nuevas mezclas Octubre de 2025

Composed by Gaby Pereira

Juzgo por ti

Composed by: Gaby Pereira Year: 2025
Saca al Diablo

Singer: Gaby Pereira Year: 2025
Amándote

Singer: Gaby Pereira Year: 2025
Que me digan adiós

Singer: Gaby Pereira Year: 2025

Equipo de Estudio

Material de composición, arreglos y producción

Yamaha DX100

Sintetizador · Composición

The Yamaha DX100 is a miniature FM synth from the mid 80s. It's similar in sound to the famous DX7 but grittier and tougher, due to its overdrive-able DAC. In fact, it has a similar vibe to the SP-1200. It is the sound of early Detroit techno (specifically the Solid Bass patch), Roger Troutman's talkbox (the Hard Brass patch), countless 80s Lynch-esc soundtracks, hotel lounge vibes and so much more.

Yamaha DX7

Sintetizador · Composición

The Yamaha DX7 is a legendary FM synthesizer released in the early 1980s. It’s one of the most influential synths of all time and it defined the sound of an entire decade: clean, bright, and unmistakably digital, thanks to its 6-operator FM architecture and pristine DAC. Unlike the DX100, the DX7 has a more polished and refined character, with a hi-fi quality that made it a studio standard.

Yamaha SY 55 y TG 55

Sintetizador · Composición

Yamaha SY-55 (430 Words) The Yamaha SY-55 was released a year after their TG550 Tone Generator and apart from the attached keyboard, these two share a lot of similarities. The SY-55 is a digital workstation that is based on samples-playback and also one of the first rompler workstations by Yamaha to ditch the DX7 FM synthesis.
It is a 2nd generation 16-bit AWM2 system that makes use of wave data digitally at 32kHz or 48 kHz. The SY-55 also has 24-bit internal signal processing capabilities along with high-res 22-bit digital-to-analog converters.

Yamaha SY 22

Sintetizador · Composición

The SY22 is one of these digital synthesizers with a thin metallic sound. It uses a synthesis method known as vector synthesis (similar to that on the ProphetVS and Korg Wavestation) in which samples and FM sounds (adapted from Yamaha's DX line) are altered and combined using the on-board joystick to create new and often interesting sounds. Joystick moves can be recorded and repeated too, a feature rarely seen until the JP-8000 came!

Kawai K1

Sintetizador · Composición

The K1ii was the first major update to Kawai's popular K1 digital PCM-waveform synthesizers. The K1ii has the same synthesis architecture as the original K1. There are 256 digital samples of waveforms, 50 of which are from acoustic instruments. You combine up to four wave shapes to create very new and unique sounds. They are capable of very good acoustic recreation, excellent unique synth sounds, or at times completely noisy walls of complex sound.

Cubase

Software DAW · Composición

Cubase began in 1989 as a MIDI sequencer for the Atari ST by Steinberg, evolving from earlier MIDI software like Steinberg Pro 24, adding native audio in Cubase Audio (1992), and later integrating full audio recording/mixing with Cubase VST (Virtual Studio Technology) and the revolutionary VST plugins, transforming into the comprehensive Digital Audio Workstation (DAW) used today for MIDI, audio, and music production across PC and Mac.

MMulti-effects Korg A3

Multi-effects · Composición

The Korg A3 multi-effects processor works, but the display light is not working... The Korg A3 is a 1U multi-channel effects processor with 41 types of digital effects, including reverb, delay, modulation, and distortion, and allows you to combine up to six effects simultaneously thanks to 20 preset chains. It supports up to 100 customizable programs and optional ROMs for expanded functionality, making it ideal for studios and live performances.

Drum Machine Yamaha RX8

Drum Machine Yamaha RX8 · Composición

Yamaha released its RX8 drum machine in 1989 intending to offer a low-cost alternative to their RX5. Despite aiming it at the low end of the market to compete with the likes of the Alesis HR-16, the RX8 still offers a lot of features from the RX5. However, it has a sound of its own, which is mostly thanks to the fact that it is the first drum machine by Yamaha to use 16-bit PCM samples. This was rather impressive for the time, especially as Yamaha was able to offer it at a price below that of the competition.